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Columnist - Julian Gallo
Bio: Author of 'Existential Labyrinths', 'Last Tondero in Paris', 'The Penguin and The Bird' and other novels.
/ directors Vincente Minnelli / Alan Jay Lerner / rating 7,6 of 10 / Musical / Rating 28680 Vote. An american in paris london cast. Cannon guys: Wait what? These cannons aren't being shipped towards enemy lines? Well then what the hell are we blowing up? Tchaikovsky: Expectations.
An american in paris trailer. An american in paris by george gershwin. An american in paris poster. An american in paris. An american in paris musical broadway. So he said, I don't care what you compose, just blow me away with it. 17:19 is just the most GLORIOUS chord. The first soundtrack on earth for doing special things for one, better two in the night and moonlight.
An american in paris cast. An american in paris gershwin. Friend: hey can you send me that relaxing piece, the Cannon one? Me: that's weird but okay Me: sends 1812 Overture * The next day Friend: with bags under eyes * bro wtf that wasn't relaxing Me: but didn't you ask for the one with the cannons? Friend: I MEANT CANON IN D. An american in paris london. Listening to this Great Musical Masterpiece, in truth, you understand the insignificance of its existence! Our cars, ships, rockets are pathetic toys compared to the great intelligence of the Universe. Look around people! Your voice breaks on the glacier, your steps - shuffling, your thoughts - do not wake the oceans. Also sprach Zarathustra.
An american in paris lyrics.
An american in paris 1951 full movie. An american in paris length. An american in paris movie. An american in paris soundtrack. This piece is great to contemplate on Abstract Algebra. 
DAT OPENING. Shit. its perfect. (just realized thats where the 2001 theme comes from. 
An american in paris broadway full show. Rosen88kavalier Loading... Unsubscribe from rosen88kavalier? Working... 39. 5K Want to watch this again later? Sign in to add this video to a playlist. Sign in Need to report the video? Sign in to report inappropriate content. Add translations 342, 629 views Like this video? Sign in to make your opinion count. Don't like this video? Sign in. An american in paris songs. There was a problem filtering reviews right now. Please try again later. Reviewed in the United States on February 1, 2018 Format: Blu-ray Verified Purchase The immortal Gene Kelly, the exquisite Leslie Caron, the sophisticated Nina Foch, the cranky Oscar Levant, the music of George Gershwin, the screenplay by Jay Lerner, and the direction of Vincente Minnelli. Connect all those sublime elements and you have a magical production that is far greater than the sum of its magnificent parts. This movie will always be a favorite of people who love life and see it as a beautiful dream choreographed by their heart's desires. (If this review was helpful in any way, please click on the "Helpful" key below, or write a comment. Thanks). Reviewed in the United States on April 18, 2017 Format: Prime Video Verified Purchase A fabulous fabulous movie. Timeless! A must for anyone likes classic film and musicals. If you were going to compare it to the current Broadway musical, do not, it's like comparing apples and oranges. Both are magnificent but different in many ways. I'm a huge fan of Gene Kelly. His masculinity and spectacular tap dancing are complement so well with Leslie Caron's Classic ballet Point. His dance with the little French children "I've got rhythm" is an unforgettable simply joyful scene. Oscar Levant is dream made in heaven with his sardonic comic humor, and one of the most extraordinary concert pianists of that era. It is worth it just to see and hear him play. Pure magic for young and old. I would give it 10 stars if it were possible. Reviewed in the United States on March 3, 2019 Format: Blu-ray Verified Purchase I don't know what went wrong where, but this transfer is kind of a joke. Anyone who has seen a real dye transfer Technicolor print of this film will know what. The color is ugly here - it should be vibrant and beautiful. Nothing is as sharp as it should be. I wish Warner Archive would do this and Gigi over again, and perhaps On the Town while they're at it. The movie itself is mostly a wondrous thing. Reviewed in the United States on February 11, 2018 Format: DVD Verified Purchase I saw this movie when it first came out in the 1950's, and have seen it several times since. It certainly hasn't lost its charm, and that's why I bought it. Almost everything in it is perfect - Gershwin's music, Gene Kelly's dancing and pretty good singing, and then there is the dancing and charm of a very young Leslie Caron, in what was, I believe, her first movie appearance. But, leaving the best 'til last, there is the dancing and splendor of the 'American in Paris' scene. I am no connoisseur of ballet, but I don't think one has to be to take in and enjoy both the magnificent setting and the music and dancing involved. If you like music, dancing, and real talent, you will not want to pass up this opportunity. Reviewed in the United States on April 17, 2016 Format: DVD Verified Purchase I absolutely LOVE this movie. But this DVD has audio problems that make it unwatchable. The dialog is so quiet that you have to turn the volume up to 100% - and then when a song begins (and it's a musical, there's a song every few minutes! ) it's crashingly, painfully loud, so must turn audio down swiftly. It's incredibly distracting to watch a movie with your thumb constantly at the ready to hit the volume up / down. I'm guessing these DVDs were seconds / problematic at factory, and that's why it was so cheap. You sometimes really do get what you pay for. :( Reviewed in the United States on April 19, 2016 Format: Prime Video Verified Purchase I have always enjoyed musicals, whether movies or live stage productions. I'm totally enthralled once the singing and dancing begins. But, with the success of An American in Paris on Broadway, I had to revisit this old movie; I was a seven year old when I last saw. The dialogue and visuals might seem a little hokey by today's standards, but Gene Kelly and Leslie Caron's dancing is second to none. I loved the movie from beginning to end, and I do recommend this old gem to all who have an interest in amazing dance. Reviewed in the United States on July 2, 2008 Format: DVD Verified Purchase Warner Brothers' proprietary Ultra-Resolution process has brought new life to such classics as "The Wizard of Oz, " "Gone With the Wind, " Errol Flynn's "Robin Hood, " and "Singin' in the Rain. " By going back to the original three-strip technicolor negatives and realigning them digitally, the color and detail blows away anything that customers have seen in the past with home video. "An American In Paris" has now undergone the same process. For those that have a blu-ray player, be sure to order this version, An American in Paris [Blu-ray]. Here is a list of extras that are the same on both versions: Disc 1: 1. 33:1 Full Screen with Original Mono audio * Tech Specs for Blu-ray version: Video is 1080P 1. 33:1 * Audio is English, French, Spanish (Both Castilian and Latin), German and Italian DD1. 0 * Subtitles (Main Feature): English, French, Spanish, Danish, Dutch, Finnish, German, Italian, Japanese, Norwegian, Portuguese, Swedish * Subtitles (on Select Bonus Material): English, French, Spanish, Dutch, Italian, Japanese, Portuguese 1938 MGM short: Paris on Parade 1951 MGM cartoon: Symphony in Slang Theatrical trailer Disc 2: 2002 American Masters Documentary: Gene Kelly: Anatomy of a Dancer ( Gene Kelly - Anatomy of a Dancer) `S Wonderful: The Making of An American in Paris, an all new documentary, produced especially for this release. A dynamic history of the making of the film, which reveals how George and Ira Gershwin's classic songs, the dazzling art of the French impressionists and the ultimate teamwork of MGM's legendary "Freed Unit" came together to create a musical masterpiece. Featuring ten new interviews, including co-stars Leslie Caron, Nina Foch, and Kelly's widow. A very enlightening piece; Caron's memories are probably the most interesting, with Foch running a close 2nd. Caron's comments about co-star Georges Guétary being handsome but not too bright seem to be echoed by Kelly's widow, who says Gene spent more time trying to teach him how to gracefully walk down a set of steps than on anything else in the film. It is unfortunate that Maurice Chevalier could not have taken that role as originally intended. You also realize just how revolutionary this movie was (artistically), especially because of the 17-minute ballet tacked on at the end of the movie. Even Irving Berlin disapproved during an on-set visit, which didn't help the confidence of Vincente Minnelli at all. Outtakes: Georges Guetary performing Love Walked In (not missed in the movie at all! ) Audio Outtakes: Alternate Main Title, But Not for Me (Guetary), But Not for Me (Levant Piano Solo), Gershwin Prelude #3, I've Got a Crush on You, Nice Work if You Can Get It, 'S Wonderful Radio Interviews: Johnny Green, Gene Kelly, Gene Kelly & Leslie Caron; Gene Kelly and Leslie Caron promotional radio interview with Dick Simmons Not all of the original musical recording stems have survived over the years, preventing a true stereo/5. 1 restoration of the soundtrack; instead, a restored mono version is being made available. Most are familiar with the movie; storywise, it is a little creaky and hasn't necessarily survived well over the years: Kelly is an American artist living in Paris. He falls in love with a young girl (Leslie Caron) who is in a loveless relationship with one of his best friends (Guétary). Kelly is also in somewhat of a loveless relationship with his financial sponsor (Nina Foch). You can probably guess the rest. The glowing color, fantastic music by Gershwin (arrangements by the talented Conrad Salinger), and the amazing choreography of Gene Kelly will keep this one a classic for years to come despite a predictable plot. Just the ending ballet alone is a masterpiece; the art of Toulouse Lautrec and Utrillo comes to life with Gene Kelly & Leslie Caron dancing their hearts out to some of the most imaginative choreography (Kelly's) in years. The Freed Unit at MGM was at their peak when this movie was made, and this is one of the last great ones that it created. It is a real shame that with how fantastic the picture is (the colors literally leap off the screen, and it really adds to the appreciation of what an artistically beautiful visual feast this movie is) that the sound cannot match. Although it is clear and free of problems, the Gershwin music just begs for a 5. 1 or 7. 1 surround track; unfortunately, due to the age and availability of the original elements, this is not possible. Top international reviews 5. 0 out of 5 stars An Outstanding Watch for Those That Enjoy Musicals Reviewed in the United Kingdom on August 30, 2015 Verified Purchase This was made in 1951, two years before I was born; this is the first time that I had seen it! It cost a fortune back then to make it - 2. 7 million dollars; they needn’t have worried, at the last count the studio had made 1. 3 billion! It won numerous gongs for its choreography and costume and direction. I felt that the lead players in the cast also deserved an Oscar, especially ‘perpetual motion, ’ Gene Kelly, and the charming Leslie Caron, whom I thought a total delight to look at and watch? Add Gershwin’s music into the mix and this just couldn’t fail. The direction by Vincente Minnelli (Liza’s dad) produced a superb spectacle. I bought the plain DVD version (not the Bluray) but I have to say that the picture quality and colour is just amazing for a film of that age. The final dance / ballet scenes are rather long at 16 minutes but it is a wonderful finale, apparently those scenes alone cost a half a million dollars to make! I thoroughly enjoyed the film and as the saying goes – they certainly don’t make um’ like that anymore? 3 people found this helpful Sending feedback... Thank you for your feedback. Sorry, we failed to record your vote. Please try again Report abuse AN AMERICAN IN PARIS [1951] [Blu-ray] Reviewed in the United Kingdom on May 7, 2013 Verified Purchase AN AMERICAN IN PARIS [1951] [Blu-ray] [US Import] An Altogether Delightful Musical Holiday! What A Joy To See M-G-M’s Technicolor Musical! Gene Kelly, producer Arthur Fred, director Vincente Minnelli and a skilled production team conjure an entertainment for the ages. Gene Kelly plays an ex-GI who loves Paris and an alluring [but engaged] perfume-shop clerk [Leslie Caron] in her beguiling screen debut. Dazzling dance sequences are spun around songs by George Gershwin. And the closing ballet sequence combining the George Gershwin title piece, Impressionist set styling's and Gene Kelly's inimitable talent telling a story in dance and lifts this winner of 6 Academy Awards® to new heights and especially now this Blu-ray has had a New Ultra-resolution Digital transfer! FILM FACT: Awards and Nominations: Academy Awards®: Win: Best Picture for Arthur Freed [Producer]. Win: Best Art and Set Decoration, Colour for E. Preston Ames, Cedric Gibbons, F. Keogh Gleason, and Edwin B. Willis. Win: Best Cinematography and Colour for John Alton and Alfred Gilks. Win: Best Costume Design and Colour for Orry-Kelly, Walter Plunkett, and Irene Sharaff. Win: Best Musical Score for Saul Chaplin and Johnny Green. Win: Best Writing, Scoring and Screenplay for Alan Jay Lerner. Nominated: Best Director for Vincente Minnelli. Nominated: Best Film Editing for Adrienne Fazan. Golden Globe® Awards: Win: Best Motion Picture in a Musical or Comedy. Nominated: Best Director in a Motion Picture for Vincente Minnelli. Nominated: Best Actor in a Motion Picture Musical or Comedy for Gene Kelly. Gene Kelly received an Academy Honorary Award that year for "his versatility as an actor, singer, director and dancer, and specifically for his brilliant achievements in the art of choreography on film. " It was his only Oscar. Cast: Gene Kelly, Leslie Caron, Oscar Levant, Georges Guétary, Nina Foch, The American In Paris Ballet (Ballet Dancers), Robert Ames (uncredited), Marie Antoinette Andrews (uncredited), Felice Basso (uncredited), Rodney Bieber (uncredited), Ann Brendon (uncredited), Ralph Del Campo (uncredited), Sue Casey (uncredited), Andre Charisse (uncredited), Allan Cook (uncredited), Ralph Del Campo (uncredited), Gloria DeWerd (uncredited), Carli Elinor (uncredited), Marietta Elliott (uncredited), George Ellsworth (uncredited), Luigi Faccuito (uncredited), Ernie Flatt (uncredited), Mary Jane French (uncredited), Mary Ellen Gleason (uncredited), Shirley Glickman (uncredited), Ricardo Gonzáles (uncredited), Patricia Hall (uncredited), Betty Hannon (uncredited), Jack Harmon (uncredited), Jean Harrison (uncredited), Marian Horosko (uncredited), Don Hulbert (uncredited), Dickie Humphreys (uncredited), Harvey Karels (uncredited), Stephen Kirchner (uncredited), Tommy Ladd (uncredited), Judy Landon (uncredited), Richard Landry (uncredited), Meredith Leeds (uncredited), Eileen Locklin (uncredited), Shirley Lopez (uncredited), Ralph Madlener (uncredited), Bert Madrid (uncredited), Dudley Field Malone (uncredited), Bob Mascagno (uncredited), Charles Mauu (uncredited), Bonnie Menzies (uncredited), Roy Ossorio (uncredited), Jetsy Parker (uncredited), Ricky Ricardi (uncredited), Carol Risser (uncredited), Marilyn Rogers (uncredited), Jean Romaine (uncredited), Alex Romero (uncredited), Hayden Rorke (uncredited), Albert Ruiz (uncredited), Marilyn Russell (uncredited), Betty Scott (uncredited), Linda Scott (uncredited), Rudolph Silva (uncredited), Pat Simms (uncredited), Melba Snowden (uncredited), John Stanley (uncredited), Beverly Thompson Dorothy Tuttle (uncredited), Pat Volasko (uncredited), Dorothy Ward (uncredited), Ray Weamer (uncredited) and Lila Zali (uncredited) Director: Vincente Minnelli Producer: Arthur Freed and Roger Edens (uncredited) Screenplay: Alan Jay Lerner Composers: George Gershwin and Ira Gershwin (lyrics) and Conrad Salinger (uncredited) Cinematography: Alfred Gilks and John Alton (Ballet) Video Resolution: 1080p [Technicolor] Aspect Ratio: 1. 33:1 Audio: English: 1. 0 Dolby Digital Mono, 1. 0 French: Dolby Digital Mono, Spanish: 1. 0 Dolby Digital Mono, German: 1. 0 Dolby Digital Mono and Italian: 1. 0 Dolby Digital Mono Subtitles: English, French, Spanish, Portuguese, German, Danish, Dutch, Finnish, Italian, Norwegian and Swedish Running Time: 113 minutes Region: All Regions Number of discs: 1 Studio: Warner Home Video Andrew's Blu-ray Review: ‘An American in Paris’ [1951] is one of the greatest, most elegant, and most celebrated of M-G-M's 1950's musicals, with Gershwin lyrics and musical score, plus lyrics by Ira and music by composer George from some of their compositions of the 1920s and 1930s, lavish sets and costumes, tremendous Technicolor cinematography, and a romantic love story set to music and dance. Gene Kelly served as the film's principal star, singer, athletically-exuberant dancer and energetic choreographer and he even directed the sequence surrounding "Embraceable You. " The entire film glorifies the joie de vivre of Paris, but it was shot on M-G-M's sound stages in California, except for a few opening, establishing shots of the scenic city. Nonetheless, it remains one of the most optimistic American films of the post-war period, with Paris at its centre. If you've heard of `An American in Paris, ' then you already know that it's one of the top musicals ever made and one of the artistic high points in the history of the M-G-M studio. In the production unit of Arthur Freed, M-G-M bankrolled a concentration of musical and dancing talent that no smaller organisation could possibly have put together; it's one of the truly persuasive arguments in favour of the old studio system. Inspired by the music of George and Ira Gershwin, Arthur Freed put his most creative talent into this one entertainment. The ambitious Vincente Minnelli was a meticulous design-oriented director, while the energetic star and choreographer Gene Kelly was hooked on the idea of blending dance and cinema into new, unseen forms. One of the film's highlights is its impressive finale - an ambitious, colourful, imaginative, 13 minute avant-garde "dream ballet" costing a half million dollars to produce. The pretentious sequence, featuring an Impressionistic period daydream in the style of various painters, is one of the longest uninterrupted dance sequences of any Hollywood film, and features the music of George Gershwin. Gene Kelly and John Alton collaborated in presenting a totally remarkable marathon musical and dance number that was the first for both of them to work in Technicolor. Hollywood attempts at artistic achievement have often been met with indifference, even when they succeed. Film historians point to the "cinematic" ballet in Michael Powell and Emeric Pressburger's `The Red Shoes' as an important precedent; many dance critics had little use for it as well. Hollywood films were expected to be escapism first and art "maybe;" Vincente Minnelli and Arthur Freed took a big risk with their consciously "arty" ballet finale. That America accepted and celebrated `An American in Paris' perhaps marks the highpoint of post-war optimism, a time just before the anxieties of those years claimed a big piece of the culture. Alan Jay Lerner's script is as simple as any of M-G-M's formula musicals. Ex-GI Jerry Mulligan [Gene Kelly] tries to become a painter in an idealised post-war Paris that still loves Americans. He lives in the same building as Adam Cook [Oscar Levant], a pianist-slacker who lives from fellowship to fellowship grant. Mulligan meets two women on the same day. Well-heeled Baltimore divorcée Milo Roberts [Nina Foch] offers to sponsor Jerry's art, but is really looking for a new man to keep. Jerry's eye instead goes to the young Parisian Lise Bouvier [Leslie Caron]. He falls in love almost immediately. The problem is that Lise is engaged to successful singer Henri Baurel [Georges Guétary], a close associate of Adam. Jerry Mulligan's Yankee sense of humour helps win Lise's heart, but she feels too indebted to Henri to let him down. A strong story is often irrelevant to a classic M-G-M musical. The important factors are the music, the talent and the treatment of the musical numbers. Paris glides from one jubilant George Gershwin winner to the next, none of which repeat a mood. Jerry, Adam and Henri celebrate friendship with "By Strauss" and dancing with the fat barmaid and an ancient, but cheerful lady bystander. Jerry has fun playing with the neighbourhood kids with the song "I Got Rhythm;" the kids seem genuinely amused. Georges Guétary belts out a flashy Follies Bergére type song called "I'll Build a Stairway to Paradise", while the egotistical Adam daydreams of triumph as a concert pianist performing "Concerto in F for Piano and Orchestra. " Jerry and Lise's key romantic tune is "Our Love is Here to Stay. " `An American in Paris' is a beloved title and many fans appreciate its artistry. Most of the other top M-G-M musicals display a broader streak of comedy, and the supposed 'best musical of all time 'Singin' in the Rain' is wittier, more complex and even has relevance as an account of Hollywood history. Oscar Levant's forced cynicism plays against the mood, as the show never makes a full statement about artistic vagabonds. The sentiment and heart in Paris is really a fusion between the personalities and the music. Leslie Caron's perky smile and laugh are winning but she seems truly heartbroken only when backed by Gershwin. It's less a variety musical than a romantic fusion. Gene Kelly's performance in the big `An American in Paris Ballet' integrates dance and music so closely together that he seems to personify the spirit of George Gershwin. Busby Berkeley and to some extent Michael Powell's big dance extravaganzas made the camera an active participant in the flow of music and dance, but Kelly's choreography unites music, dance camera and performance into a seemingly living entity. Add to that John Alton's intense colour lighting (with difficult, choreographed lighting changes) and the Ballet may be the most complicated dance ever put on film. It's an almost perfect collaboration. Vincente Minnelli's spectacular design motifs here are in much better balance. The ballet progresses through a parade of classic painting styles that mimic artists like Utrillo, Renoir and Van Gogh. Perhaps the best compliment for the Ballet is that it does full justice to George Gershwin. The music stands alone as a supremely emotional experience, and the Ballet only heightens it. There's none of the oddball mismatches of music and visuals that one remembers from certain segments in Fantasia. `An American in Paris' is Hollywood filmmaking worthy of superlatives. Blu-ray Video Quality – The video quality on this Blu-ray release is in a full 1080p encoded image in the 1. 33:1 aspect ratio. The first thing that will catch your eye with this release obviously, is that residual 1950′s Technicolor looks. Perhaps it was the intention, but I do have to say at several points in the film the colour palette goes from harsh to seriously intense, not by any means "popping" off the screen in a pleasing manner. Now, don't get me wrong, scenes doused in neutrals from the wardrobe to the set design actually look very nice, though there is still the subject of the flesh tones existent. The flesh tones harbour the most blush-esque of bright orange hues, and this look continues through the entire film, fluctuating in that Technicolor way you've seen on other elder classics, as an actor moves across the screen passing the horizontal flickers all shades of the palette alternate in tones. The blaring colour palette is heightened by the definite solid black level; so solid, some scenes in which actors are clothed in an abundance of black actually gives them an appearance of animation. This solid black level may be dead on, but it tends to bring out the hard-core saturation, which is often bleeding with more bold hues, creating a near glare at the presence of such vividness, and more importantly, taking away the presence of detail. The late Gene Kelly had an extremely expressive face, and though it needs to be understood that this film has endured some aging, much of the detail of facial features is absent; this quality also applies to all other visual definition aspects of the film, from the costumes, to the set design as well. A good example of this is at the runtime of about 32 minutes and 20 seconds, where Milo is wearing an open back dress, and the scene involves some shots from behind her. Where we would normally see the contours of the shoulder blades, the bleeding/pixilation and harsh colour saturation make the visible flesh tone of her back appear as one smooth piece. Overall, you have to give credit where it is due, and it is evident that this release is what it is with special efforts, as are most classic catalogue titles that have made their way to Blu-ray recently. Keep in mind that when you see this film on Blu-ray what you are seeing was created by filmmakers over 50 years ago, and through so many different processes, this will be the best presentation you can own at this time. Purists will also surely be proud, as this release hasn't gone through significant changes, still possessing many qualities that will keep it in a very original form. Though, when comparing a film from this era to others of the genre that have made their way to Blu-ray. Blu-ray Audio Quality – The audio quality on this release is presented in 1. 0 Dolby Digital Mono. It was a great choice on behalf of Warner Bros. to stick with the original mono track for this films Blu-ray release, providing a more sincere, and realistic experience connecting to a time long past, not to mention the film's content that is present would have made for a label of "overkill" if a more voluminous track had been included. There are just a few issues that occur on this audio track though. Occasionally, there is hissing present, usually during a pause in a musical number. Also, at least 2 to 3 times during the abundance of tap dancing that occurs throughout the film, the sounds of "tapping" are out of sync with what we see happening visually. On a more positive note, all of the vocals are carried out nicely, and shouts and emphasized vocals have a bit of an acoustic quality. Overall, this audio track suits the film in a justifying manner. Blu-ray Special Features and Extras: Audio Commentary: Commentary by Patricia Ward Kelly: Featuring rare, often previously unheard interviews with Gene Kelly, Vincente Minnelli, Arthur Freed, Alan Jay Lerner, Johnny Green, Saul Chaplin, Michael Feinstein, Preston Ames, and Irene Sharaff and new observations by Leslie Caron and Nina Foch: A patchwork track hosted by Patricia Ward Kelly that features rare interview segments with director Vincente Minnelli, stars Gene Kelly, Nina Foch, and Leslie Caron, and other key members of the cast and crew like producer Arthur Freed, screenwriter Alan Jay Lerner, co-musical directors Johnny Green and Saul Chaplin, musician Michael Feinstein, art director Preston Ames, and costume designer Irene Sharaff. The nature of the commentary makes for an uneven listen, but the enormity of the interviews on hand allows for the participants to cover the gamut of the production and for the disc's producers to be selective about the quality of all the information therein. Special Feature: 'S Wonderful: The Making of An American in Paris [2008] [1080p] [42:00] This documentary features new interviews, including Leslie Caron and Nina Foch. This recently produced behind-the-scenes documentary digs into George Gershwin's original work, the genesis of the cinematic adaptation, casting, the shoot, and the eventual reception of the film. Special Feature: American Masters: Gene Kelly: Anatomy of a Dancer [2002] [89:00] This PBS documentary from the American Masters series focuses on Gene Kelly, his career, and his contributions to the film and its genre. It looks in detail at the life, the work, and the contributions of Gene Kelly to movies and movie making. The film celebrates Kelly's putting story-telling into dance and discovering, along with Martha Graham and Jerome Robbins, an American style. It examines his partnership with Stanley Dolan, his bringing of tap and ballet into musicals, his marriages and personal competitiveness, his political views, and his work on stage as well as in film. This production details his contributions as a dancer, choreographer, and director. The narration and talking heads also discuss his muscular style, his low centre of gravity, and his masculine appeal. Special Feature: Vintage James FitzPatrick Traveltalks Short: Paris on Parade [9:00] A vintage musical segment from James FitzPatrick Traveltalks that focuses on a 1937 The Paris Exhibition. The Paris Exposition is seen as one of the most important events to take place in 1937 if only because it brought together forty-four nations side-by-side in goodwill. The Expo took place along the banks of the Seine, using many existing landmarks. Each national pavilion was provided and designed by the country in question, symbolizing some important aspect of that country. Pavilions of French colonies were also well represented. Lighter fare at the Expo included demonstrations of water skiing on the Seine, performances of cultural dances native to specific countries, and the on-going spectacle of the Fountain of Peace located at the base of the Eiffel Tower. Special Feature: Classic Cartoon: Symphony in Slang [1951] [7:00] `Symphony in Slang' is a Metro-Goldwyn-Mayer cartoon short directed by Tex Avery and written by Rich Hogan. It tells the story of a man John Brown, who finds himself at the Pearly Gates explaining the story of his life to a bewildered Saint Peter and Noah Webster using slang of that era. The majority of the short is made up of sight gags based on Peter and Webster's imagined, literal understandings of such phrases as "I was born with a silver spoon in my mouth" and "Outside it was raining cats and dogs. " Special Feature: Love Walked In [1951] [3:00] A musical outtake song sequence featuring Georges Guétary and Oscar Levant. Special Feature: Audio-only bonuses: Outtake songs gallery and Gene Kelly, Leslie Caron and Johnny Green radio promos [14:00] A trio of interviews with Gene Kelly, Johnny Green, and a conversational chat with Gene Kelly and Leslie Caron. Theatrical Trailer [1951] [4:00] [1080p] Finally, one of the high points of the M-G-M musical, `An American in Paris' makes a welcome entry into the annals of high definition in this marvellous looking Blu-ray release with a host of bonuses that make the package a must-see and for many a must-own. Warner Brothers used their patented ultra-resolution process to bring this film back to life. That means they went back to the original 3 strip Technicolor negatives and realigned them digitally. As a result, the colour and detail is unlike anything we have seen before on home video. In the dance number, where Leslie Caron takes on different personalities using different dances and colours, you will not believe the quality of colour. It really was amazingly, absolutely beautiful. If you have a Blu-ray player, make sure to choose this Blu-ray version of this film as you will experience something truly special and that is why it has gone pride of place in my ever increasing Gene Kelly Blu-ray Collection. Highly Recommended! Andrew C. Miller – Your Ultimate No. 1 Film Aficionado Le Cinema Paradiso United Kingdom 4 people found this helpful American in Paris. Reviewed in the United Kingdom on February 3, 2017 Verified Purchase Excellent record of this iconic film and Gene Kelly's family background, skills development and in practice. Lesley Caron's first film part, at age 17/18. The talent of the three men, singer, pianist, dancer, amazing and hard work to perfection. Hope this is used in drama, music, dance, colleges/ academies, the dedication is demonstrated clearly. Lesley Caron tells how she surprisingly gained the part, the work ethic of Gene Kelly, and the learning process. 2 x DVD's.. one the movie film, the other documentary. Footage of Fred Astaire working alongside Gene Kelly, the contrasting styles, the blend of dance. Quality film making before it's time. 4. 0 out of 5 stars Good value Blu Ray restoration of a classic film. Reviewed in the United Kingdom on July 4, 2017 Verified Purchase This classic film is restored well and sold at a competitive price. If you enjoyed the original, you will appreciate this blu ray version. The info on the site makes it clear that this disc is an import. But, buyers need to note that the info on the package and the disc itself are both printed in Dutch. If you're ok with this, you've got a good deal! 2 people found this helpful Famous musical Reviewed in the United Kingdom on July 13, 2015 Verified Purchase Not much more one can say about this famous Gene Kelly Classic. I am delighted the girl in the movie is Leslie Caron since she dances well so can dance with Kelly rather than him needing a stand-in dancer for the "ballet sequence" - a problem which for me was the only flaw in his best musical Singin' in the Rain. Kelly is of course a struggling artist in Paris, where else, so plenty of Parisian type hints and French-ish accents etc. Always worth watching. Beautiful music of course. 5. 0 out of 5 stars... my mum and is why ever since I have loved musicals. I recently saw the stage version in... Reviewed in the United Kingdom on July 5, 2018 Verified Purchase This is one of the first films I ever saw with my mum and is why ever since I have loved musicals. I recently saw the stage version in London which was fantastic but made me want to see the film arrived quickly & is great to see the amazing Gene Kelly dancing again Perfect purchase. Reviewed in the United Kingdom on January 18, 2013 Verified Purchase I saw this film (again) on BBC over Christmas and was determined to have a permanent copy. It is an absolute classic - dance routines, sets, costumes - all wonderful. I found it for 'a song' from direct_offers_uk, though I think I got the last copy before a big price jump from other suppliers. It arrived in France in record time - with a free Christmas film as a gift. I am absolutely delighted with this supplier. Five stars movie. Reviewed in the United Kingdom on December 20, 2017 Verified Purchase Great movie all time i've seen it about time I always like it, Gene Kelly is great artist will never see another dancer and actor like him, recommended five stars movie. What great tunes and dance routines Reviewed in the United Kingdom on June 22, 2015 Verified Purchase What great tunes and dance routines. It leaves you breathless. Gene Kelly certainly makes this film a must see musical. For me some of the dance scenes could have been shortened but I guess they had to show both Leslie Caron and Gene K's talent for dance. The costumes are magnificent. One for all the family to watch and enjoy. First rate transfer. Reviewed in the United Kingdom on May 25, 2018 Verified Purchase Fabulous print of one of the great Hollywood movies. A classic for your collection. One person found this helpful Paris and Gene Kelly - A Combination Made in Heaven Reviewed in the United Kingdom on November 15, 2016 Verified Purchase In an age where the word celebrity has been debased by endless untalented nobody's elevated to God-like status, Gene Kelly's breath-taking gifts are here in this fabulous film to show what theatrical genius really means. As a lover of Paris, this film is a constant warm bath for me and I want to be watching it whilst I shuffle of this mortal coil. Hopefully a lot more viewings before that happens though! arrived early Reviewed in the United Kingdom on July 9, 2019 Verified Purchase Purchased to go with a collection of musicals on DVD. Not watched yet. Romantic Musical from the fifties Reviewed in the United Kingdom on February 27, 2018 Verified Purchase This is a lovely romantic film and much better than the vastly over-rated "La La Land" which is a poor copy of this story everything perfect, many thanks 10 / 10 A ++++++ Reviewed in the United Kingdom on May 8, 2018 Verified Purchase promised, everything perfect, many thanks 10 / 10 A ++++++ I sat at home and watched it Reviewed in the United Kingdom on February 16, 2019 Verified Purchase Report abuse.
Wasn't part of this piece played in a United Airlines commercial. An american in paris amc. Is there another version of this video? Incredible music! How Bernstein kept all the different plots going in his head-just amazing. Performed this four times in one week (as a chorister) back in 1979 or 1980: once on the campus of the University of Hartford (Hartt School of Music, where I was an undergrad choral ed, student) once at UConn (whose choir we were working with) and twice with the Hartford Symphony (and UConn Chorus and the Hartt Concert Choir) as part of a Beethoven festival. I have a love/hate relationship with it. It gives me a rush, especially the end, especially when the audience is really into it and is already standing and cheering as the last note fades away. But Beethoven was crazy and demanded impossible things from his chorus- at least if you sing it four times in a week.
An american in paris apartment scene. An american in paris piano. Roes are red Violets are blue When I listen to Tchaikovsky My neighbors do too. I swear I heard this in a Burger King commercial once. Makes me think of bustling 1920s New York City. I cry. Every. Single Time. I wouldn't call "An American in Paris" one of the most overrated movies of all time since there seems to be a general consensus about this status. But it is certainly one of the most dated. On every single level it is so outrageously dated that you the year of release isn't even a alibi.
First of all, there's something a little dishonest about the title; the film teases our expectations by using Paris in the title but apart from some obligatory establishing shots, Paris isn't remotely present in the story. "Casablanca" could get away with it because the idea of the oriental city mattered more than the real setting but in the flashback sequences, they did their best to show Paris in the background, because you just can't cheat with Paris. Besides, can you imagine "West Side Story" shot indoors? Can you imagine a matte with drawn hills in "The Sound of Music" Even the sound of Gerschwin fails to make Paris alive.
The film is also dated by Gene Kelly (and Stanley Donen) s "Singin' in the Rain, the movie that should have won the Best picture of 1952, if "High Noon" hadn't get it. We're talking of the greatest, funniest and most iconic musicals of cinematic history a quite a leap from 1951. Sure, Vincente Minelli didn't intend to pull any laughs from the viewers, but while watching the film, I kept wondering which scene he really intended to make an ever lasting impact. "I Got Rhythm" where Gene Kelly makes some great moves in front of admiring kids is one of the few I can still remember and the whimsical tone used when he strolls down the street. Neither of them involves the romance.
Indeed, the film is also dated by the standards of romances, you can't make a picture in Paris and not have the city play an integral part to it. In 1953, Roman Holiday" was one of the first productions set in a foreign places setting the precedent where the local flavor enhances the passion between the protagonists. "An American in Paris" doesn't even allow us a small immersion in Paris, and apart from a few "bonjour" and "ça va" the film could have been set anywhere. I just saw recently the movie "Fanny" and at least, you could have a direct taste on the Marseilles waterfront. You can't cheat with Marseilles, you just can't cheat with Paris. "The Aristocats" felt more Parisian than this.
Finally, there's no need to go till 1961, 1953 or 1952, Vincente Minelli's Best Picture winner is outdated by its Best Picture co-nominees, over the movie that changed the face of acting, winning three Oscars on that category, Elia Kazan's "A Streetcar Named Desire" and the no less groundbreaking "A Place in the Sun" I don't even know if it's even the best-looking Picture of the three, even "Quo Vadis" looked gorgeous and Peter Ustinov stole the show as the complex and tormented Nero. "An American in Paris" is a glorious and lavish anachronism only highlighted by Gene Kelly's contagious smile, great performance (yes) and Leslie Caro who does her best.
Caron would get more interesting roles in the future, but it's clear that her frail lovability was exploited at the expenses of a real chemistry with Kelly, I could feel why he fell in love but not that she could love him back. The film itself is based on a rather bland love triangle whose only spices are the interactions between Kelly and Nina Foch, despite a few high spots, some musical numbers fell flat. The film was a gigantic ballet put on screen, there's never a moment where they try to transcend the barriers and make something new and fresh. Even the musical sequences feel like fillers to the plot, the climax of the story is an excuse for music just when the romantic triangle started to be interesting, Singin' in the Rain" had the same problem but it was in the middle of the film and here, it wasn't a plot that called for such digression, by the time it ends, you really stop caring about the characters. Especially when the young starlet is obviously too shy and utters English words that don't match her thick accent and when the friendliest person with Jerry gets the harshest treatment.
This was the first musical to win after 15 years (the last one was "The Great Ziegfeld" so I wonder if nostalgia wasn't part of it, and that it marked the rebirth of Hollywood, the victory of Cecil B. De Mille's "Greatest Show on Earth" deepened the shift between the Academy and the new dispositions of Cinema in the 50's, but again, they didn't even nominate "Singin' in the Rain" so I'm probably missing something.
I said I wouldn't call "An American in Paris" overrated, well, I'm having second thoughts now.
I wish I could see the show and meet the actors. An american in paris paris. An american in paris clarinet. An american in paris salt lake city. An american in paris palace theater. An american in paris cleveland playhouse. An american in paris play. Is that his voice at 18:01 ?😂. An american in paris musical 1951 leslie caron. An american in paris pbs. An american in paris tickets los angeles. 
Had to watch it esome just too too musicians are really having a good it. An american in paris drury lane reviews. An american in paris symphony.
Watching the conductor slowly get more and more drenched in sweat just makes this so much better to watch. Props to him. Professor Snape ain't got no time for substandard playing. If this isnt the cutest thing you a have ever seen in your life yall are lying. YouTube. An american in paris phoenix.
Great performance! But the timpani make me sad about life. Such a dead sound
An american in paris pantages. An american in paris playbill. An american in paris tour. When I listen to this song, so do Hawaii and Mexico. 
An american in paris i got rhythm. An american in paris song lyrics. Epic, wow. An american in paris miami florida.
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An american in paris san diego. An american in paris tmc. An american in paris drury lane. An american in paris broadway. An american in paris suite john whitney. An american in paris san antonio. An american in paris gene kelly. An american in paris dance scene. Critics Consensus The plot may be problematic, but such concerns are rendered superfluous by Gene Kelly and Leslie Caron's star power, the Gershwins' classic songs, and Vincente Minnelli's colorful, sympathetic direction. 96% TOMATOMETER Total Count: 67 79% Audience Score User Ratings: 26, 431 An American in Paris Ratings & Reviews Explanation An American in Paris Photos Movie Info Gene Kelly does his patented Pal Joey bit as Jerry Mulligan, an opportunistic American painter living in Paris' "starving artists" colony. He is discovered by wealthy Milo Roberts (Nina Foch), who becomes Jerry's patroness in more ways than one. Meanwhile, Jerry plays hookey on this setup by romancing waif-like Lise Bouvier (Leslie Caron) -- who, unbeknownst to him, is the object of the affections of his close friend Henri (Georges Guetary), a popular nightclub performer. (The film was supposed to make Guetary into "the New Chevalier. " It didn't. ) The thinnish plot is held together by the superlative production numbers and by the recycling of several vintage George Gershwin tunes, including "I Got Rhythm, " "'S Wonderful, " and "Our Love Is Here to Stay. " Highlights include Guetary's rendition of "Stairway to Paradise"; Oscar Levant's fantasy of conducting and performing Gershwin's "Concerto in F" (Levant also appears as every member of the orchestra); and the closing 17-minute "American in Paris" ballet, in which Kelly and Caron dance before lavish backgrounds based on the works of famed French artists. ~ Hal Erickson, Rovi Rating: G Genre: Directed By: Written By: In Theaters: Oct 4, 1951 wide On Disc/Streaming: Apr 27, 1999 Runtime: 115 minutes Studio: MGM Cast Critic Reviews for An American in Paris Audience Reviews for An American in Paris An American in Paris Quotes Movie & TV guides.
An american in paris chatelet. Fantastic, just great. An american in paris. Greymon VS. Parrotmon = Classic Showdown. On a local NPR name and Leonard Bernstein's name was mentioned in the same sentence. upon hearing it... I almost fainted. we both took sabbatical at a local artist retreat here in my recently. I adore his he had more charisma in his little finger than most current artists possess in their dreams! RIP Maestro. An american in paris 1951.
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